Shows: Entrances and Exits RETURNS!
“Some of the best actors and improvisers in the city make this made-up two-act farce look easy.” – Now Magazine
Our “Best of Toronto Fringe” winning hit, Entrances and Exits returns for back to back runs in Toronto! We start off at Bad Dog Theatre (Bloor and Ossington) from February 28th – March 3rd and then move to Crow’s Theatre (Dundas West and Carlaw) as part of #Sketchfest2019 from March 5th – March 12th!
Featuring guest performances by Colin Mochrie (Whose Line is it Anyway), Linda Kash (Best in Show, Waiting for Guffman), Andrew Phung (Kim’s Convenience) and more!
Tickets and Showtimes
Bad Dog Theatre:
Thursday Feb 28th – 8pm
Friday March 1st – 8pm
Saturday March 2nd – 8pm with Special Guest, Andrew Phung (Kim’s Convenience)!
Sunday March 3rd – 8pm
Buy Tickets for the Bad Dog Theatre performances:
Tuesday March 5th – 8:30pm with Special Guest, Andrew Phung (Kim’s Convenience)!
Wednesday March 6th – 8:30pm
Monday March 11th – 8:30pm with Special Guest, Colin Mochrie (Whose Line is it Anyway)!
Tuesday March 12th – 8:30pm with Special Guest, Linda Kash (Waiting for Guffman, Best in Show)
Wednesday March 13th – 8:30pm
Buy Tickets for Sketchfest performances:
“This has everything a good improv show ought to have: a fabulous cast and a great concept… I left the theatre with an itch to return, just to see what else this cast could do and I think that’s the highest compliment I can think to give to any show.” – Mooney on Theatre
The Reading Group Schedule:
Join us for our Winter Season of The Reading Group. We can’t wait to read a play with you!
Up Next: Adrienne Kennedy Double Bill: the 1964 Obie award-winning short play “Funnyhouse of a Negro” and 1976’s “A Movie Star Has to Star in Black and White”.
When: Monday February 25th at 7pm
Location: The Gladstone Hotel in the Melody Bar, 1214 Queen Street West, Toronto
RSVP by emailing us at firstname.lastname@example.org
Howland Company Workshops:
We’ve had the pleasure of working with some fantastic Toronto theatre professionals over the last few years. We explored actor/director Ker Well‘s powerful movement-based performance methods, Second City’s Katherine Ashby led us through a side-splitting day of actor’s improv, and we’re currently working as script developer lab-rats with director and performance creator Philip McKee as well as with Toronto playwright Susanna Fournier.
Over the past few years, we have been joined by Holger Schott Syme: Chair – Department of English and Drama, at the University of Toronto Mississauga, working on an exciting new translation of Ödön von Horváth’s Casimir and Caroline which culminated in a staged workshop presentation last Fall at the University of Toronto’s Luella Massey Studio Theatre. We are currently developing the script further and will announce plans for a full production in the future. There was also a reading with The Howland Company of the new performance text in development by Fournier, take rimbaud. We workshopped the piece as part of our RBC Emerging Theatre Company Residency at Canadian Stage with a public showing.