In these challenging, isolating times, more than ever we are craving – connection, inspiration, art, stories, community… and even a little silliness… SO we’ve started to cook up some ideas that we hope can help.
On Monday, March 30th, 2020, The Howland Company started VIRTUALLY HOWLAND, an online theatre series. With our now ONLINE monthly sessions of The Reading Group, and the return of our hit comedy Entrances and Exits (an improvised farce), newly adapted for the screen and LIVE-STREAMED to you at home, we’re hoping to create opportunities that help to make us feel a little more connected while we’re staying apart.
Upcoming Virtually Howland Events:
NEW Interview Series: “Sixty-Seven Questions with Theatre Artists”
The Howland Company has launched a new interview series that you can watch LIVE from home.
Howland’s “Sixty-Seven Questions with Theatre Artists” features sixty-seven sometimes serious, sometimes silly, always unfiltered questions with artists we think you should know more about.
In our first installment, we put some of Canada’s exciting queer theatre artists in the hot seat with unedited, rapid-fire questions, talking about who they are, their artistic work, and what’s keeping them inspired.
About the artists:
Gregory Prest: Gregory is an actor, director, writer, and theatre creator from Pictou, Nova Scotia who has spent the last 17 years working in the theatre scene in Toronto, most regularly as a company member at Soulpepper. He graduated from Acadia University, the National Theatre School, Soulpepper Academy and is passionate about artist training and mentorship.
Jay Northcott: Jay is a multidisciplinary artist; director, playwright, producer, burlesque and drag performer. Jay works to decolonize their art and practice with storytelling, movement, and gesture to create a foundation for their work. They continue to grow and make it their mission to continue to unlift projects that put BIPOC Queer artists in the spotlight.
Upcoming Productions: Concord Floral (Randolph College), Cottagers and Indians (Watermark theatre), I Love the Smell of Gasoline, White Muscle Daddy (Pencil Kit Production), Blacktop Sky (Obsidian Theatre). @Nervousshipwreck
Laura Condlln: Laura is a critically-acclaimed actor who has originated roles in Canadian premieres and interpreted classic roles in theatres across the country and over 14 seasons with the Stratford Festival. She is a two-time Toronto Theatre Critics Award winner.
The (Online) Reading Group – Play: TBA
The Howland Company Reading Group is a free event held every month. Anyone is welcome to drop in, cold-read a part in the chosen play (roles are assigned and switched around on the fly) and get the opportunity to engage in discussion, and meet people in the community!
The Reading Group is currently on pause until the Fall. We look forward to reading with you again soon!
When: Fall 2022
Where: WHEREVER YOU ARE with internet access! Join us on ZOOM, a free online video conference site/app where we can VIRTUALLY gather and read a play together. Click on our Reading Group ZOOM event link.
If you are interested in attending The Reading Group:
- Create your FREE profile on ZOOM here (you will need to do this before you can access the meet-up).
- RSVP with us at email@example.com or check out our facebook events at TheHowlandCompanyTheatre.
- Follow along with a copy of the play.
- Join us on the day of the event at 7pm for our online Reading Group on ZOOM by clicking on our event link.
We look forward to reading with you soon!
Past Virtually Howland Events:
“Murder at the Winterhouse Theatre” (An Improvised Online Mystery)
The year is 1927 and Vaudeville is on its way out, which will leave The Winterhouse Theatre (and its staff) penniless if they can’t find an act to turn things around. It looks as though they might be saved when twin singing sensations; The Lavender Ladies agree to perform, but things go awry when one half of the duo is brutally murdered on the night of their show.
From Monday April 6th to Friday April 10th, we had audiences tune in to The Howland Company’s Instagram Live account nightly at 8PM and follow our detectives Agatha and Christie (Liz Johnston and Ruth Goodwin) as they attempt to discover who murdered Violet Marchand on the 5th Floor of The Winterhouse Theatre in downtown Toronto.
Based (loosely) on true events, Murder at The Winterhouse Theatre is created by Entrances and Exits (Best of Toronto Fringe) creators, Ruth Goodwin and Liz Johnston. Murder at the Winterhouse Theatre featured some acting members of The Howland Company, as well as exciting guest artists from across Canada.
“A Little Closer” by Michael Ross Albert (a workshop reading with The Howland Company)
As part of our Virtually Howland series, we had the pleasure of live-streaming a workshop reading of A Little Closer, a new play by Michael Ross Albert, read by some of our Howland Company members.
About the play:
Cale is a professional cuddler. From his one-bedroom apartment, he provides a comfortable safe-haven for those seeking connection, and a welcome escape from the tumultuous city they live in. But during an unsettling session with a new client, the sanctuary of comfort Cale has tried to create is changed forever. And when the physical intimacy he provides turns to physical violence, he and his clients are forced to confront their pain, loneliness, and regrets.
A Little Closer is a play about our need to make genuine connections, however impossible that may seem.
About the playwright:
Michael Ross Albert is a Toronto-based playwright whose work has been performed across Canada and the United States, and in the United Kingdom. His two most recent plays, The Huns and Anywhere were produced as part of the Toronto Fringe Festival in 2019 and 2018. Both plays were named Patron’s Pick of their respective theatres, and both were remounted in the Best of Fringe Festival. An upcoming remount of The Huns in the Brighton Fringe Festival was canceled due to COVID-19. In association with the Storefront Theatre, Michael produced the sold-out world premiere of his play, Tough Jews (Dora Award nomination – Outstanding New Play). Other works include Miss (Unit 102), The Grass is Greenest at the Houston Astrodome (FringeNYC, Toronto Fringe Festival), and a new musical adaptation of The Jazz Singer (Dancap/HGJTC).
Michael received an MFA in Playwriting from the Actors Studio Drama School. He’s been honoured to teach new play development as an instructor of record at the University of Waterloo.